Most studio strobes accept either a
PC (Prontor-Compur) sync cord connection, or may be set to synchronize to a
single flash pulse by using an optical sensor. However the E-TTL system
uses preflashes, both for metering to determine the correct flash exposure,
and also to signal other E-TTL flash units. A studio strobe on
an optical slave trigger would be triggered prematurely by the E-TTL preflashes,
and may not synchronize correctly.
With a film camera, such as an EOS-1v, you can eliminate the pre-flash by
forcing 'TTL' mode on the flash. You can either set the appropriate custom
function on the flash unit, or insulate the hotshoe (see: EX-M-TTL).
Digital EOS SLR users have to use flash set to manual power mode, since TTL
flash is totally incompatible with new digital SLRs. It seems wasteful to buy
a dedicated manual flash just to use as a strobe trigger.
This document details a simple method
that can be used to synchronize optically triggered studio slaves to your E-TTL-only
camera without using any additional equipment. You can even make use of a built-in
popup flash!
This technique is called "blank FEL" since
the E-TTL preflash is fired blank, well before the shutter opens.
When you shoot the picture, only the second E-TTL flash is emitted,
triggering the studio strobes correctly.
Be careful that under wireless flash
conditions, E-TTL emits more than one preflash. If this is the
case, the method will fail. So be sure to proof check your results before committing
to an important shoot.
Other solutions do exist. You could
mount a simple manual flash (such as a Sunpak 383 Super or a Vivitar 283 or
285), either on the hotshoe or synchroized via a PC cord. Be careful not to
exceed a safe voltage for hotshoe mounted flash. See: Strobe
Volts website.
Another method is to plug "digital-ready" optical slave triggers into your
strobes so that they trigger on the second or third (or fourth) flash. Some
advanced units can be trained to cope with different number or preflashes from
different equipment.
An even more expensive, but more reliable solution, is to upgrade to a radio
triggering system.
If you have a 550ex or sigma 500 super then you could do what I use for studio/location shoots, switch the flash to manual, drop the power to 1/32 or whatever, put the head in bounce position and shoot away, easier than FEL-wait-shoot.
Ben Rubinsetin
4/1/2004 11:06:56 PM
Thanks for the comments Ben.
As stated in the article, buying a 550EX or EF 500 Super just to trigger studio flash can get expensive. It might be cheaper to buy a cheap (but voltage safe) auto-thyristor flash. Or even a hotshoe-to-PC sync cord adapter.
The delay when using the dark method can be very minor. Cover the popup flash, push FEL, uncover the popup flash, and shoot. Mounting the camera on a camera support helps considerably.
Julian Loke
4/8/2004 6:14:37 AM
I agree with Ben using the 550ex in manual mode solves the problem. I find that setting the minimum power level of 1/128 is adequate for my storbe slaves.
Ted Coffey
11/10/2004 1:15:23 PM
The whole idea is to do this without any additional equipment. The technique can be used with just the popup flash on a midrange DSLR.
Julian Loke
12/9/2004 1:14:16 PM
This is a cool way to get by without any additional equipment.
Another idea that is cheaper than a hotshoe flash and less hassle than messing with FEL for each shot is just to plug a PC sync cord between the camera (my 20d has a socket next to the cable release socket) and the studio strobe. I haven't tried that but it should work fine for cameras that have the PC cord socket. Tom Morrow
2005Jun23 16:12:54 -0700
I use a Sigma EF500DG Super and find that it can keep up the pre-flash and main flash at 1/16 power and below, fine for small portraits - for larger scenes or if I just need more light I use the FEL method. Graham McCauley
2006Feb28 08:50:33 -0800
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