EDP Manuals

EOS Documentation Project

Faking Flash Exposure Compensation (FEC)

by Julian Loke

Contents

Introduction

Flash Exposure Compensation (FEC) is used to adjust the flash exposure in cases where the subject is not middle-toned, such as someone wearing a white wedding dress, or another person wearing a black tuxedo.

FEC is available as a feature on some dedicated flash units, and also on most EOS camera bodies. If you shoot film with an EOS KISS/REBEL body, you can use Manual exposure and ISO indexing to fool the camera into adjusting the flash exposure appropriately.

If your camera and flash lack FEC and also cannot make use of ISO indexing (e.g., EOS 300D / Digital REBEL), it is still possible to fake FEC by misusing the flash exposure lock (FEL) feature to achieve a usable degree of flash exposure compensation.

The trick is to apply FEL to force a flash meter reading and fix the flash power. By changing the flash-to-subject distance or the reflectance of the FEL target, a different flash exposure will result. Voilà, flash exposure compensation!

Methods

Fancy Footwork

  • Select your vantage point.
  • Move forwards for negative FEC, move backwards for positive FEC.
  • Aim your camera at a middle toned part of your subject
  • Push and hold the FEL button.
  • Return to your original position.
  • Release the FEL button, focus and take your picture.

Fickle FEL

  • Choose your vantage point.
  • Without moving from your position, aim your camera at a middle toned target closer or nearer than the subject.
  • Choose a closer target for negative FEC, a more distant target for positive FEC.
  • Push and hold the FEL button.
  • Focus and take your picture.

Flawed Facsimile

  • Choose an FEL target that is NOT middle toned.
  • FEL against a bright object for negative exposure compensation.
  • FEL against a dark object for positive exposure compensation.

How it works

Light intensity decreases by the inverse square law of physics. Once you have locked the flash intensity using FEL, you can make fine adjustments simply by changing the flash-to-subject distance. Halve the distance, and get 2 stops brighter light. Double the distance, and get 2 stops darker. For one stop or finer intervals, just remember the familiar number series from your aperture scale.

One stop 1     1.4     2     2.8     4     5.6     8     11     16     22     32     45     64
Half stops 1  1.2 1.4  1.8 2  2.5 2.8  3.5 4  4.5 5.6  6.7 8  9.5 11  13 16  19 22  27 32  38 45  54 64
Third stops 1 1.1 1.2 1.4 1.6 1.8 2 2.2 2.5 2.8 3.2 3.5 4 4.5 5 5.6 6.3 7.1 8 9 10 11 13 14 16 18 20 22 25 29 32 36 40 45 51 57 64

If you are using Fancy Footwork and standing 4 feet away from your subject, FEL at 5.6 feet (one step back) will give you +1EV FEC if you shoot at 4 feet. Conversely, FEL at 2.8 feet (one step forward) will result in -1EV FEC for a shot taken at 4 feet.

Need this in metric? For shooting at 1.4 m: FEL at 1 m for -1EV FEC; or at 2 m for +1EV FEC. Or choose any ratio that is 0.717x, 1x, and 1.414x. As usual, your camera, subject, or shoe size might be different, so proof check your results before committing to an important shoot.

Revision History

v0.1 2003Nov26 jul: Original draft


Comments


http://revolution.cx/rcx/fecset.htm
Julian Loke 11/26/2003 2:40:31 PM



© 2003 Nov 25 Julian Loke for EOS Documentation Project. All Rights Reserved.

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